Quote:
It seems a lot of people in the USA and other nations like gangster movies and a gangster way of thinking. But it seems that thinking is totally opposite to the concept of the "revolutionary".
Could it be this appeal of "fast money" that is retarding the growth of many groups in the US? How can they develop a revolutionary conscience when they idolize "Scarface" :cool: ?
Could Hollywood be promoting anti-revolutionary ideas under the guise of entertainment?
Look at it this way, for every one successful drug dealer there are 1000 wannabes. No wonder many people are failing at life! So perhaps marxists underestimate the role of personal responsibility in causing poverty. But then again, many are imprisoned in this negative environment, and therefore could not really choose to escape.
Ultimately, the "American Way" is being a gangster. So when kids want to be all punk and stuff, well they're just being American. But mark my words, it produces a very unequal and inferior civilization.
Money has a little to do with it, but most people in Hollywood movies seems to be financially worry-free, so why not just idolize any number of other well-off pop archetypes?
IMO it has to do with the specific class nature of gangster stories and the diesire is more about power and freedom than money itself - though the two are obviously intertwined.
The other thing about the fiction is that the class-transgressing immigrant or black gangster tends to be moralisitically punished in the end. This began even before the Hollywood Code was set in place (though the romanticization was a little less clearly condemned in some of the pre-Code movies) But the Code meant that all gangsters had to be punished explicitly - usually a glamourous or exciting death. Post-code movies deviate but often fall back on these motifs from the code-era. Gangsta rap also heavily references this traddition, but even when there is no consious reference to gangster literature and film, the glam is always offset by the grit, sometimes in really interesting ways, often just in a different sort of moralism.
I also don't think that Hollywood makes these because they want to indocrinate people with anti-revolutionary ideas. They produce music and film like that because they are popular genres and tales. I don't think people are attracted to these stories because they literally want to live like that - not for the most part anyway. Gangster movies and music or not, there would be gangsters in the US with the same economic and social conditions - films and music are a type of reflection of that.
But what people do like about the fiction IMO, is that the classic stories are always a sort of nightmare-version of the American Dream. It's the wish fufillment of the rags-to-riches stories, but the twist (and the realism) is that it's not by doing everything according to bourgeois morals that rewards people, it's killing, destroying, strong-arming, and extoriting your way to the top. People don't know how money is made off derivitives, but they do know people get fucked because of the financial market, for example - so a story about a pimp's rise and fall just puts the exploitation necissary to become rich right out there. "Goodfellas" is the same sort of thing: it's told as if it's a story of the american dream... except you gotta stab the guy in the trunk a few times to make it in America.
So I think that's part of the appeal - to make it as an immigran in america means forgetting the neighborhood and dear ol' Irish ma so you can drive fancy cars, wear smart tuxedoes, etc. In the old movies I've seen there seems to be a motif of people "forgetting where they came from" once they make it to the top and the sort of working class solidarity (of a kind) that led them to defend their fellow neighborhood boys (from other gangsters or sometimes exploitative petty-bourgeois figures and cops) in the first place. The "rise" part of the story usually involves humiliating the (anglo) assimilated old crime boss, and then having a sort of induvidual working class revenge on snoody resturants and upper-class society that would otherwise reject him if he wasn't a gangster with all that money and power. The "fall" part is usually when he becomes paranoid/begins to act like the old anglo-crime-boss/can not control the hungry-greed and ruthlessness that allowed him to rise to the top in America. So rather than glorifying wealth on the one hand or demonizing "bad morals" on the other, I think the appeal of these stories is in-between and in the nuances. To become rich in America means turning yourself into a monster, but then you gain wealth while loosing yourself - in short there is something corrupting and violent about life and wealth in America.
As for real life, like I said, conditions in modern urban society are what create gangs and a black market. So on that level, people aren't selling drugs because of movies - maybe on a subjective level this can be a factor, but ultimately it's not and pleanty of people who do sell drugs or engage in criminal activity bear no resmbleance to people in movies.
And in regards to general emulation: I think this is just a result of needed in act tough in capitalist society - especially for young males. So people always tend to emulate some kind of tough persona to some extent - and if you are in social situations where toughness is more necissary than most - like some stressful job situations, the military, etc then "macho" personas are pretty common.
The antidote ultimately is just a path and vehicle for real solidarity and "making it" together on our terms as a class, rather than just induvidually trying to change our position, only to find in doing so we've just recreated the same shit we tried to get out of.