blake 3:17
1st March 2007, 21:10
From an interview with Stephen Duncombe, (http://mrzine.monthlyreview.org/sherman230207.html)author of Dream: Re-imagining Progressive Politics in an Age of Fantasy
You don't simply advocate that progressives learn from popular culture; you focus on aspects of it that progressives are likely to find appalling -- Las Vegas, the video game Grand Theft Auto: San Andreas, celebrity gossip, a commercial for McDonald's. What can we learn from them? What would you say to progressives who would claim that they demonstrate little more than that capitalism unleashes a drive toward the lowest common denominators of sex, violence, addiction, instant gratification?
I purposely picked examples of commercial culture that most progressives (including myself) find appalling. But I also used these examples because they are very popular. And if progressive politics are ever to be popular, then we have to learn how to speak to -- some of -- the popular desires and fantasies now given expression in things like Las Vegas and video games. Some desires can not and should not be addressed -- the violence and misogyny of many video games for instance, but some should: the joy in mastery and the freedom to explore that video games offer players.
A century ago William James gave a speech on the "Moral Equivalent of War." James, who was a pacifist, argued that unless pacifists recognized that war spoke to legitimate, and even admirable, desires like honor, community, and sacrifice, and then fashioned some sort of anti-war outlet for these desires, pacifism would have no popular appeal. That essay, which I read with a War Resisters League reading group nearly twenty years ago, stuck with me. What I'm arguing for is much the same thing as James: a progressive equivalent to commercial culture.
Because we live in a democracy and because progressives (should) believe in a system that speaks for and to the people, we need to pay a lot of attention to popular culture. This doesn't mean we should embrace a faux populism and throw on our NASCAR hats, but it does means respecting and learning from popular culture . . . and then fashioning progressive political equivalents.
You don't simply advocate that progressives learn from popular culture; you focus on aspects of it that progressives are likely to find appalling -- Las Vegas, the video game Grand Theft Auto: San Andreas, celebrity gossip, a commercial for McDonald's. What can we learn from them? What would you say to progressives who would claim that they demonstrate little more than that capitalism unleashes a drive toward the lowest common denominators of sex, violence, addiction, instant gratification?
I purposely picked examples of commercial culture that most progressives (including myself) find appalling. But I also used these examples because they are very popular. And if progressive politics are ever to be popular, then we have to learn how to speak to -- some of -- the popular desires and fantasies now given expression in things like Las Vegas and video games. Some desires can not and should not be addressed -- the violence and misogyny of many video games for instance, but some should: the joy in mastery and the freedom to explore that video games offer players.
A century ago William James gave a speech on the "Moral Equivalent of War." James, who was a pacifist, argued that unless pacifists recognized that war spoke to legitimate, and even admirable, desires like honor, community, and sacrifice, and then fashioned some sort of anti-war outlet for these desires, pacifism would have no popular appeal. That essay, which I read with a War Resisters League reading group nearly twenty years ago, stuck with me. What I'm arguing for is much the same thing as James: a progressive equivalent to commercial culture.
Because we live in a democracy and because progressives (should) believe in a system that speaks for and to the people, we need to pay a lot of attention to popular culture. This doesn't mean we should embrace a faux populism and throw on our NASCAR hats, but it does means respecting and learning from popular culture . . . and then fashioning progressive political equivalents.