Conghaileach
1st March 2003, 16:01
Robert Fisk: How the news will be censored in this war
A new CNN system of 'script approval' suggests the Pentagon will have
nothing to worry about
25 February 2003
Already, the American press is expressing its approval of the coverage of
American forces which the US military intends to allow its reporters in the
next Gulf war. The boys from CNN, CBS, ABC and The New York Times will be
"embedded" among the US marines and infantry. The degree of censorship
hasn't quite been worked out. But it doesn't matter how much the Pentagon
cuts from the reporters' dispatches. A new CNN system of "script approval"
- the iniquitous instruction to reporters that they have to send all their
copy to anonymous officials in Atlanta to ensure it is suitably sanitised -
suggests that the Pentagon and the Department of State have nothing to
worry about. Nor do the Israelis.
Indeed, reading a new CNN document, "Reminder of Script Approval Policy",
fairly takes the breath away. "All reporters preparing package scripts must
submit the scripts for approval," it says.
"Packages may not be edited until the scripts are approved... All packages
originating outside Washington, LA (Los Angeles) or NY (New York),
including all international bureaus, must come to the ROW in Atlanta for
approval."
The date of this extraordinary message is 27 January. The "ROW" is the row
of script editors in Atlanta who can insist on changes or "balances" in the
reporter's dispatch.
"A script is not approved for air unless it is properly marked approved by
an authorised manager and duped (duplicated) to burcopy (bureau copy)...
When a script is updated it must be re-approved, preferably by the
originating approving authority."
Note the key words here: "approved" and "authorised". CNN's man or woman in
Kuwait or Baghdad - or Jerusalem or Ramallah - may know the background to
his or her story; indeed, they will know far more about it than the
"authorities" in Atlanta. But CNN's chiefs will decide the spin of the
story.
CNN, of course, is not alone in this paranoid form of reporting. Other US
networks operate equally anti-journalistic systems. And it's not the fault
of the reporters. CNN's teams may use clichÈs and don military costumes ñ
you will see them do this in the next war ñ but they try to get something
of the truth out. Next time, though, they're going to have even less
chance.
Just where this awful system leads is evident from an intriguing exchange
last year between CNN's reporter in the occupied West Bank town of
Ramallah, and Eason Jordan, one of CNN's top honchos in Atlanta.
The journalist's first complaint was about a story by the reporter Michael
Holmes on the Red Crescent ambulance drivers who are repeatedly shot at by
Israeli troops. "We risked our lives and went out with ambulance drivers...
for a whole day. We have also witnessed ambulances from our window being
shot at by Israeli soldiers...
The story received approval from Mike Shoulder. The story ran twice and
then Rick Davis (a CNN executive) killed it. The reason was we did not have
an Israeli army response, even though we stated in our story that Israel
believes that Palestinians are smuggling weapons and wanted people in the
ambulances."
The Israelis refused to give CNN an interview, only a written statement.
This statement was then written into the CNN script. But again it was
rejected by Davis in Atlanta. Only when, after three days, the Israeli army
gave CNN an interview did Holmes's story run ñ but then with the dishonest
inclusion of a line that said the ambulances were shot in "crossfire" (ie
that Palestinians also shot at their own ambulances).
The reporter's complaint was all too obvious. "Since when do we hold a
story hostage to the whims of governments and armies?We were told by Rick
that if we do not get an Israeli on-camera we would not air the package.
This means that governments and armies are indirectly censoring us and we
are playing
directly into their own hands."
The relevance of this is all too obvious in the next Gulf War. We are going
to have to see a US army officer denying everything the Iraqis say if any
report from Iraq is to get on air. Take another of the Ramallah
correspondent's complaints last year. In a package on the damage to
Ramallah after Israel's massive incursion last April, "we had already
mentioned right at the top of our piece that Israel says it is doing all
these incursions because it wants to crack down on the infrastructure of
terror. However, obviously that was not enough. We were made by the ROW (in
Atlanta) to repeat this same idea three times in one piece, just to make
sure that we keep justifying the Israeli actions..."
But the system of "script approval" that has so marred CNN's coverage has
got worse. In a further and even more sinister message dated 31 January
this year, CNN staff are told that a new computerised system of script
approval will allow "authorised script approvers to mark scripts (ie
reports) in a clear and standard manner.
Script EPs (executive producers) will click on the coloured APPROVED button
to turn it from red (unapproved) to green (approved). When someone makes a
change in the script after approval, the button will turn yellow." Someone?
Who is this someone? CNN's reporters aren't told. But when we recall that
CNN revealed after the 1991 Gulf War that it had allowed Pentagon
"trainees" into the CNN newsroom in Atlanta, I have my suspicions.
(Edited by CiaranB at 4:17 pm on Mar. 1, 2003)
A new CNN system of 'script approval' suggests the Pentagon will have
nothing to worry about
25 February 2003
Already, the American press is expressing its approval of the coverage of
American forces which the US military intends to allow its reporters in the
next Gulf war. The boys from CNN, CBS, ABC and The New York Times will be
"embedded" among the US marines and infantry. The degree of censorship
hasn't quite been worked out. But it doesn't matter how much the Pentagon
cuts from the reporters' dispatches. A new CNN system of "script approval"
- the iniquitous instruction to reporters that they have to send all their
copy to anonymous officials in Atlanta to ensure it is suitably sanitised -
suggests that the Pentagon and the Department of State have nothing to
worry about. Nor do the Israelis.
Indeed, reading a new CNN document, "Reminder of Script Approval Policy",
fairly takes the breath away. "All reporters preparing package scripts must
submit the scripts for approval," it says.
"Packages may not be edited until the scripts are approved... All packages
originating outside Washington, LA (Los Angeles) or NY (New York),
including all international bureaus, must come to the ROW in Atlanta for
approval."
The date of this extraordinary message is 27 January. The "ROW" is the row
of script editors in Atlanta who can insist on changes or "balances" in the
reporter's dispatch.
"A script is not approved for air unless it is properly marked approved by
an authorised manager and duped (duplicated) to burcopy (bureau copy)...
When a script is updated it must be re-approved, preferably by the
originating approving authority."
Note the key words here: "approved" and "authorised". CNN's man or woman in
Kuwait or Baghdad - or Jerusalem or Ramallah - may know the background to
his or her story; indeed, they will know far more about it than the
"authorities" in Atlanta. But CNN's chiefs will decide the spin of the
story.
CNN, of course, is not alone in this paranoid form of reporting. Other US
networks operate equally anti-journalistic systems. And it's not the fault
of the reporters. CNN's teams may use clichÈs and don military costumes ñ
you will see them do this in the next war ñ but they try to get something
of the truth out. Next time, though, they're going to have even less
chance.
Just where this awful system leads is evident from an intriguing exchange
last year between CNN's reporter in the occupied West Bank town of
Ramallah, and Eason Jordan, one of CNN's top honchos in Atlanta.
The journalist's first complaint was about a story by the reporter Michael
Holmes on the Red Crescent ambulance drivers who are repeatedly shot at by
Israeli troops. "We risked our lives and went out with ambulance drivers...
for a whole day. We have also witnessed ambulances from our window being
shot at by Israeli soldiers...
The story received approval from Mike Shoulder. The story ran twice and
then Rick Davis (a CNN executive) killed it. The reason was we did not have
an Israeli army response, even though we stated in our story that Israel
believes that Palestinians are smuggling weapons and wanted people in the
ambulances."
The Israelis refused to give CNN an interview, only a written statement.
This statement was then written into the CNN script. But again it was
rejected by Davis in Atlanta. Only when, after three days, the Israeli army
gave CNN an interview did Holmes's story run ñ but then with the dishonest
inclusion of a line that said the ambulances were shot in "crossfire" (ie
that Palestinians also shot at their own ambulances).
The reporter's complaint was all too obvious. "Since when do we hold a
story hostage to the whims of governments and armies?We were told by Rick
that if we do not get an Israeli on-camera we would not air the package.
This means that governments and armies are indirectly censoring us and we
are playing
directly into their own hands."
The relevance of this is all too obvious in the next Gulf War. We are going
to have to see a US army officer denying everything the Iraqis say if any
report from Iraq is to get on air. Take another of the Ramallah
correspondent's complaints last year. In a package on the damage to
Ramallah after Israel's massive incursion last April, "we had already
mentioned right at the top of our piece that Israel says it is doing all
these incursions because it wants to crack down on the infrastructure of
terror. However, obviously that was not enough. We were made by the ROW (in
Atlanta) to repeat this same idea three times in one piece, just to make
sure that we keep justifying the Israeli actions..."
But the system of "script approval" that has so marred CNN's coverage has
got worse. In a further and even more sinister message dated 31 January
this year, CNN staff are told that a new computerised system of script
approval will allow "authorised script approvers to mark scripts (ie
reports) in a clear and standard manner.
Script EPs (executive producers) will click on the coloured APPROVED button
to turn it from red (unapproved) to green (approved). When someone makes a
change in the script after approval, the button will turn yellow." Someone?
Who is this someone? CNN's reporters aren't told. But when we recall that
CNN revealed after the 1991 Gulf War that it had allowed Pentagon
"trainees" into the CNN newsroom in Atlanta, I have my suspicions.
(Edited by CiaranB at 4:17 pm on Mar. 1, 2003)