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KurtFF8
11th August 2013, 14:44
http://leftfilmreview.net/2013/08/10/elysium-2013/



This review contains spoilers for a film currently in theaters

Director: Neill Blomkamp
http://leftisminfilm.files.wordpress.com/2013/08/elysium2.png?w=300&h=125 (http://leftisminfilm.files.wordpress.com/2013/08/elysium2.png)Earth in poverty

Elysium is a major blockbuster set in a dystopian future where the rich people of Earth have fled for a space station in orbit named Elysium. In this version of the future, Earth has deteriorated to such an extent that the rich no longer find it habitable and thus only make trips to the planet to manage corporations or oversee the oppressive legal system. There are various social issues that the film deals with that are of interest to the Left which has of course alarmed Fox News (http://www.foxnews.com/entertainment/2013/08/07/elysium-drector-star-matt-damon-deny-movie-has-political-agenda/)and right wing blogs. While there is more to the film than the political content, we will mostly focus on the politics of Elysium and what we should take away from it.
Matt Damon plays the films main character (named Max) struggling to make it by as a factory worker troubled by a criminal past. Max’s struggle in the film exposes the various social and political struggles that we can see prevalent today: class struggle, lack of health care, immigration, and to an extent the military industrial complex. The contradictions of the society are highlighted simply in a sequence where he is on his way to work: he leaves his home and is harassed and assaulted by the police (who have been replaced by androids instead of actual humans), has to speak with his robot parole officer who extends his parole because of the incident, arrives at work late to be told he is too injured to work but will be docked half a day’s pay instead, and then starts his job which is itself to produce more androids like the kind that injured him in the first place.
http://leftisminfilm.files.wordpress.com/2013/08/elysium1.png?w=300&h=107 (http://leftisminfilm.files.wordpress.com/2013/08/elysium1.png)The automatic parole officer of the future

The major turning point for Max is when he is told by his supervisor to enter an unsafe situation which ultimately leads to an accident where he is exposed to radiation and is essentially left for dead by the company of which CEO just wants Max to leave the building (this of course wouldn’t happen if they had a union!) This leads to a set of events where Max works with a criminal organization that he had previously associated with to attempt to steal information from the rich CEO to make it easier for the organization to sneak people into Elysium.
While Max’s drama plays out, a plot to carry out a coup is being attempted on Elysium by Jodi Foster’s character who in some sense could be seen an analogy to the far-right French politician Marine Le Pen. The coup plans fall into the hands of Max through their data heist of the CEO and they discover that they have the power to make all of Earth’s population citizens of Elysium. Through the typical twists and turns of a major action film, this is eventually carried out, making the struggle for legalization for all and access to health care (both of which were motivated by a reaction to unsafe working conditions) the major conclusions of the film. This of course is not typical for a Hollywood blockbuster, which led Vice to go as far as to claim that Hollywood was tricked into making a radical film (http://motherboard.vice.com/blog/elysium-science-fiction-tricked-hollywood-into-making-the-years-most-radical-film).
http://leftisminfilm.files.wordpress.com/2013/08/elysium4.png?w=300&h=132 (http://leftisminfilm.files.wordpress.com/2013/08/elysium4.png)Elysium

The film itself is not without flaws. Evil bad guys like the main paramilitary man trying to capture Max are a bit shallow, and the action scenes were a bit cliche at times. But if we are to look at the less-than-subtle political message that comes through to an audience of millions, the film is praiseworthy. The cliche shortcomings and sometimes strange story developments aside, the film is also entertaining and stands out as a sci fi film on its own, although it would be hard not to be excited about a major film where providing healthcare to all citizens of Earth is the conclusion. Elysium has recieved mixed reviews, not for the political content which has been the focus by political commentators of course, but rather for the problems of the film itself. While the director apparently denied that the film was political (http://www.foxnews.com/entertainment/2013/08/07/elysium-drector-star-matt-damon-deny-movie-has-political-agenda/), it would be quite difficult to ignore the fact that almost every major plot point in the film corresponds to a major social issue that the Left focuses on today.

The Left Film Review article on the new sci fi movie that's about class struggle.

Jimmie Higgins
11th August 2013, 14:52
While the director apparently denied that the film was political (http://www.foxnews.com/entertainment/2013/08/07/elysium-drector-star-matt-damon-deny-movie-has-political-agenda/), it would be quite difficult to ignore the fact that almost every major plot point in the film corresponds to a major social issue that the Left focuses on today. I read an interview with Matt Damon and he said that he was interested in the politics of the film but that the director is totally cynical politically to the point that Damon said: "talk politics with him for a few minutes and you'll want to slit your wrists".

I don't find that to be surprising after District 9 which was interesting and I think could be read leftie or far-rightie (and was pretty cynical IMO) which I don't know, maybe actually benifits it as a film and makes it a more contradictory and interesting film than most.

KurtFF8
11th August 2013, 16:04
I thought that District 9 was quite (to use the cop-out phrase) problematic in many ways, although it's been years now since I've seen it so I can't really go into specifics.

This film was a bit more clear when it comes to the political message, despite what Blomkamp claims. Perhaps he thought he was just "dealing with these issues" but the way in which they're dealt with exposes certain contradictions that are in a sense resolved through political struggle. Thus he accidentally made a highly political film! :cool:

Rafiq
11th August 2013, 16:13
Like Metropolis, I wouldn't consider this to be a radical film. Analyzing films on such a literal level is ineffective in recognizing their actual content. The first problem is the segregation of the classes to such a great extent making class struggle impossible. Unlike, say, rise of the planet of the apes, the "revolutionaries" are limited to what, a group of matrix esque enlightened ones?

The film is too cowardly to depict mass collective revolt against the privaleged classes and leaves it to a single hero, making the class character of the film definitely not proletarian. The fact that the wealthy live on a seperate planet makes intimate armed, mass collective struggle against them impossible. The film is bourgeois liberal in nature, I wouldn't even call it "progressive". All this film accomplishes is the mystification of actual class struggle. All good movies about a revolution depict collective struggle, from Spartacus to the recent Planet of the Apes.

Jimmie Higgins
11th August 2013, 17:09
I haven't seen this movie yet, but some of the reviews I've read and some of the discussion here have made me think about the use of reality and real social issues in big summer CGI movies and how it's sort of become sort of a "lens-flare" for fantasy-escapist films.

So as themes, locations, characters, and images have become more unreal in a lot of these movies, adding hot button or pressing "reality" is used as a narrative trick to heighten tension and ground the fantasy. In good sci-fi, I feel like the tension is organic and that the fantasy is being used to expose contemporary concerns -- but in these movies, it feels grafted on or like some new version of a child in danger from a black and white matinee serial. Something to elicit a cheap rise in emotion like gratuitous nudity or a shock-scare.

Popular Front of Judea
11th August 2013, 22:17
Going to see Elysium today -- no matter how objectively counterrevolutionary it may be. :rolleyes: The thing to keep in mind about the director, Neill Blomkamp is that in District 9 and now Elysium he is merely extrapolating from the South African present. There is an insightful interview with him in Wired magazine, of all places.

http://www.wired.com/underwire/2013/07/blomkamp-elysium/all/

Jimmie Higgins
12th August 2013, 06:30
Going to see Elysium today -- no matter how objectively counterrevolutionary it may be. :rolleyes:

Ha, I don't think anyone here is making a moralistic judgement on the movie. Lord of the rings, for example, from what I understand is an inherently conservative story - consciously so - but it is well done and rich enough that anyone who likes that sort of tale is probably going to enjoy it.

Red Commissar
12th August 2013, 08:38
Is this your article on LFR? If so, what did you think about other parts of the movie outside of the political content?

Sinister Cultural Marxist
12th August 2013, 12:09
Whether or not the themes are good, I am of the understanding (this may be wrong but it's painfully easy to believe) that the action scenes are cliche, as is the focus on the super sexy protagonist hero. I don't think we should approve or disapprove of a piece of art based on its themes alone, but more how well its themes are portrayed. That's what made District 9 such a problematic yet interesting movie.

Perhaps we should critique Hollywood making the same damn movie over and over again and just changing the "message". Imagine if we took Transformers and made it about selling free health care instead of GM automobiles? Would that make it a hugely better movie? I think not. I'm sure Elysium is a more decent flick than Michael Bay's explosion porn but I am quite sick of the "Hollywood Blockbuster" action movie ideal. It's as new, refreshing and exotic as last week's pancakes.