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Os Cangaceiros
9th December 2010, 22:03
I remember some ignorant fool on this site a while back speculating that S. Korea's film scene was somehow artistically impoverished, due to the capitalist system that's in effect there. This could not be farther from the truth, as S. Korea has put out some of the most entertaining films I've ever seen in recent years. Incindentally they're all crime films/thrillers. So, without further ado:

Save The Green Planet (2003): Already discussed here (http://www.revleft.com/vb/showpost.php?p=1880620&postcount=16).

Oldboy (2003): Does anything really need to be said about this? It's fairly well known, and most people here have probably seen or heard of it, as well as the rest of the "Vengeance Trilogy". I'll just say that it deserves it's reputation and leave it at that.

Memories Of Murder (2003): 2003 was a good year for S. Korean movies, apparently. This is definitely in the top 5 true crime movies that I've ever seen. The story of the "first" serial killer/rapist who stalked women in a rural S. Korean province, it mainly focuses on the personas and interactions of the two main characters, both detectives. One (Kang-ho Song) belongs to the "old school" of detectives, using torture and his own instincts to "solve" cases. The other (Sang-kyung Kim) is a more cultured, modern detective from Seoul. Obviously this difference does not promote harmony in the ranks, as the killer continues to strangle women and the police continue to get nowhere. Several leads pop up but continue to dead-end, as the audience gets just as frusterated as the two main characters. This movie is a serious case of blue-ball cinema, as there is no real satisfying conclusion (the real life killer was never caught), but I think that's part of the reason I like it so much. The ending of this stuck with me for a while.

The Chaser (2008): A former detective-turned-pimp (Yun-seok Kim) is suffering financially. Turns out that a number of his girls are disappearing. He suspects initially that they're running away, but later considers the fact that they might be getting abducted and sold. He sets up a trap for the man (Jung-woo Ha) suspected of selling of them, but things go very, very wrong for the "bait", an attractive prostitute (Yeong-hie Seo) who joins the ranks of the disappeared. It turns out that this man is a lot more dangerous than simply a rival pimp trying to undercut the competition.

When I initially watched, I was suprised at the fact that the main antagonist falls into police custody within the first 30 minutes or so of the film's 2 hour+ long running time. I was expecting another Memories Of Murder-type film. I'm glad that I stuck with it, though, as this is a very taut thriller which is also based on a true story. You have to keep reminding yourself of that fact when your disbelief is stretched by the mind-boggling incompetency of the S. Korean police...from what I gather this part of the story is actually portrayed in realistic fashion.

I Saw The Devil (2010): The best for last. Holy shit this movie is awesome. It stars the dude from Oldboy (Min-sik Choi) as a dangerous, disgusting, lethargic sexual predator/murderer and one Byung-hun Lee as a unrelenting, equally violent bodyguard/special agent with ice in his heart and fire in his eyes after Choi's character murders his fiancee. These two men are pitted against each other in a ruthless vendetta that spans across S. Korea. The performances are legendary: Choi as a pervert w/ a deeply affected psychosis that doesn't recognize pain or fear, and Lee as vengeance and rage personified. It's the old story of "what happens when an unstoppable force meets an immovable object?" The set-pieces/direction/atmosphere in the film is remarkable, as well...there's one particular scene involving three characters in a moving car that no one who see's it is likely to forget any time soon. It's very violent, though, so violent that it's been effectively banned from showing in it's home country of S. Korea, so you've been warned.

MarxSchmarx
10th December 2010, 06:57
Old Boy was probably the most fucked up movie I'd seen in the last 5 years.

I'd add Silmido (2003). It's about a group of ex-cons who are trained to go undercover to kill Kim Il Sung. I know the premise sounds like something starring the Rock, but it's based on a true story and is really moving.

IronEastBloc
10th December 2010, 07:05
allow me to add Thirst(2009) to this list, as it's a very dark and morbid romance/comedic film that actually makes you care for the characters in the end.

it's a vampire movie, but it's not your typical bullshit vamp movie.

Tablo
10th December 2010, 07:08
Some great movies. Wish they had more good ones.

kitsune
10th December 2010, 07:18
Oldboy, Memories of Murder and Silmido are some of my favorites. Also:

Spring, Summer, Fall, Winter... and Spring
My Sassy Girl
The Classic
Windstruck
Il Mare
Joint Security Area
My Tutor Friend
The Way Home
A Bittersweet Life
My Little Bride
Attack the Gas Station
I'm a Cyborg... But That's OK

IronEastBloc
10th December 2010, 07:22
Some great movies. Wish they had more good ones.

plenty of good ones, let me give you a list:

The Host (2006)

Sympathy for Mr. Vengeance (2002)

301, 302 (1995)

Mapado (2005)

The President's last bang (2005)

Taegukgi (2004--has elements of propaganda, but still very good)

x359594
10th December 2010, 22:56
...The President's last bang (2005)...

Glad you mentioned this one. Adding to the other titles already mentioned by others (all excellent movies) there's Lady Vengeance (aka Sympathetic Geum-Ja.)

Tablo
10th December 2010, 23:13
I'm a Cyborg... But That's OK
Weird ass movie. Lot of fun to watch though.

The Red Next Door
10th December 2010, 23:51
Old Boy was probably the most fucked up movie I'd seen in the last 5 years.

I'd add Silmido (2003). It's about a group of ex-cons who are trained to go undercover to kill Kim Il Sung. I know the premise sounds like something starring the Rock, but it's based on a true story and is really moving.


You are a dirty REACTIONARY

MarxSchmarx
11th December 2010, 04:15
I'd add Silmido (2003). It's about a group of ex-cons who are trained to go undercover to kill Kim Il Sung. I know the premise sounds like something starring the Rock, but it's based on a true story and is really moving.You are a dirty REACTIONARY

:confused:
The whole premise of the movie was how willing the southern junta was to literally, um... throw people under the bus to cover up their ineptitude.

Also they sing the Korean version of "The Red Flag". If anything it was deeply critical of the Park regime.

The Red Next Door
11th December 2010, 04:53
:confused:
The whole premise of the movie was how willing the southern junta was to literally, um... throw people under the bus to cover up their ineptitude.

Also they sing the Korean version of "The Red Flag". If anything it was deeply critical of the Park regime.

Ohh sorry.

penguinfoot
11th December 2010, 06:20
My Sassy Girl

Best movie of all time. It transcends genres, it is literally perfect. I can't understand why the OP didn't mention this. After the revolution, everyone will be made to watch My Sassy Girl.

This is a TV show, not a movie, but IRIS is also really good - and it's also partly about North-South relations, including the South's nuclear program in the 1970s. In fact, loads of Korean TV shows are great, and mysoju.com is a great place to watch them.

Seriously, MY SASSY GIRL. Watch it. I challenge anyone to name anything that is not perfect about it, or any genre that it does not cover.

Os Cangaceiros
11th December 2010, 06:38
I can't understand why the OP didn't mention this.

Probably cuz the OP has not seen My Sassy Girl.

But I'll get right on that.

penguinfoot
11th December 2010, 06:48
Probably cuz the OP has not seen My Sassy Girl.

But I'll get right on that.

You have not yet lived. ;)

IronEastBloc
11th December 2010, 11:41
:confused:
The whole premise of the movie was how willing the southern junta was to literally, um... throw people under the bus to cover up their ineptitude.

Also they sing the Korean version of "The Red Flag". If anything it was deeply critical of the Park regime.

This movie is hardly a nationalist South Korean movie. I just watched it and can tell you that Koreans are masters of cinema, better so than any of their neighbors or the west.

It's very critical of Park Chung Hee and of South Korean Central Intelligence and actually portrays them as dirty opportunists who use a bunch of their citizens to get things done.

RedStarOverChina
11th December 2010, 17:01
I liked Oldboy.

There's also Welcome to Dongmakgol, it's OK. You should see it because the plot is strange as hell.

The North Koreans and the South Koreans gang up on Americans in the end. :laugh:

RedStarOverChina
11th December 2010, 17:02
I just watched it and can tell you that Koreans are masters of cinema, better so than any of their neighbors
That's not saying much, though.

ComradeOm
12th December 2010, 14:33
Read an interesting article recently that argued that the continuing strength of Korean cinema, as opposed to that of the UK, could be traced to the healthy protection afforded by government cinema quotas

Anyways, I'm a big fan of Park Chan-wook. Oldboy has already been mentioned several times, rightfully, but the rest of his Vengeance trilogy (Sympathy for Mr Vengeance and Sympathy for Lady Vengeance) are well worth checking out. As is his Joint Security Area and Thirst. The former being a thriller set in the demilitarised zone

For a more bizarre slice of entertainment, The Good, the Bad, the Weird is a great riff of the old Sergio Leone Spaghetti Westerns

Sendo
14th December 2010, 06:22
Read an interesting article recently that argued that the continuing strength of Korean cinema, as opposed to that of the UK, could be traced to the healthy protection afforded by government cinema quotas

The worst part of the quotas is what they choose to fill their few foreign slots with. Transformers was culturally twice as popular over there. When it comes to picking Hollywood blockbusters and Bruchheimer and Bay trash, they're more insufferably American than real Americans. Clash of the Titans yes, Shutter Island no.

What I have to applaud, is that they have really expanded their showings of domestic films with English subtitles.

I haven't seen this yet, but it sounds good:
Kureumeul Beoseo Nan Dalcheoreom 구르믈보서난달처럼 or the idiotic non-translation of Blades of Blood. Supposedly it deals with the frustration the lower classes have in the rigidly hierarchical Joseon dynasty. The Korean title is written phonemically and not morphemically, interestingly, which may allude to the lower classes. Korean uses letters that follow predictable rules (ㄱ is a g between vowels and a k at the end), but arrange them according to roots. Writing the title like that is something like writing "photography as pho tog ra phy instead of photo graph y"

Nothing Human Is Alien
14th December 2010, 07:16
The worst part of the quotas is what they choose to fill their few foreign slots with. Transformers was culturally twice as popular over there. When it comes to picking Hollywood blockbusters and Bruchheimer and Bay trash, they're more insufferably American than real Americans. Clash of the Titans yes, Shutter Island no.

It depends. I watched "Wallstreet: Money Never Sleeps" in a Korean theater. And there are plenty of independent movies, shows and documentaries available in-demand through the main cable services.


I remember some ignorant fool on this site a while back speculating that S. Korea's film scene was somehow artistically impoverished, due to the capitalist system that's in effect there. This could not be farther from the truth, as S. Korea has put out some of the most entertaining films I've ever seen in recent years.

I think that largely has to do with (1) the recent development of modern capitalism in Korea (the country was an agrarian colony only 60 years ago); (2) the relative "loosening" of censorship/restrictions in the last few decades.

I'm not a fan of "thrillers" by any means, but I agree that "The Chaser" is a good film.

I'm also not a film of "romance," but "Hello Schoolgirl" (순정만화), which was adopted from a web comic, is actually a very well made film.

Nothing Human Is Alien
14th December 2010, 07:21
The drama "Old Partner" and new wave "The Good, The Bad and The Weird" also come highly recommended.

Tavarisch_Mike
17th December 2010, 01:12
Dont forget "Brotherhood of War" which is about two brothers during the korean war (obviously). A really good war movie.

DecDoom
17th December 2010, 01:49
Dont forget "Brotherhood of War" which is about two brothers during the korean war (obviously). A really good war movie.

I think someone mentioned that earlier (it's also called Taegukgi). That said, it's an amazing movie, so it deserves to be mentioned twice. ;)

Tavarisch_Mike
17th December 2010, 11:25
Aaah! Ok it was its original title :)

Stranger Than Paradise
28th December 2010, 01:03
Has anyone seen Sympathy for Mr Vengeance? That's supposed to be good.

A lot of people have good words to say about Wong Kar-Wai but I'm not really familiar with him.

ComradeOm
28th December 2010, 01:27
Has anyone seen Sympathy for Mr Vengeance? That's supposed to be good.Not as good as Oldboy but better than Sympathy for Lady Vengeance. Which is all a bit relative as they're all interesting films that are well worth watching

Tavarisch_Mike
31st December 2010, 12:22
Warning for "The Anarchists" (kor. "Anakiseuteu Anarchists").

It sounded really promesing. A group of korean anarchists living in occupied China during the 1920s fighting the japaneese imperial forces by terror-attacks, but it was a dissaster no anarchist (or any type of socialist) will find anny ideological truth about anarchism there, there if to much focus on relationship and drama, bad acting and the story line is Kapput!

Nothing Human Is Alien
12th February 2011, 20:43
"The Housemaid" (하녀) a remake of the 1960 film (which is considered by many one of the greatest films to ever come out of Korea) is showing in a few theaters in the U.S. right now. It's also available online if you know where to look.

It offers up a very scathing critique of the rich, especially for a "mainstream movie" coming out of the ROK in this climate.