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View Full Version : Astro Boy: The latest in a series of left-leaning films?



Kukulofori
12th October 2009, 06:35
http://insidemovies.moviefone.com/2009/10/08/astro-boy-battle-for-terra-left-leaning-animated-films?icid=main|hp-desktop|dl2|link3|http%3A%2F%2Finsidemovies.movief one.com%2F2009%2F10%2F08%2Fastro-boy-battle-for-terra-left-leaning-animated-films


Crude posters of Lenin and Trotsky adorn the threadbare walls of an office in a desolate part of town, and a group of outcast revolutionaries hatch a scheme to overthrow the ruling powers and bring equality and a classless society to mankind. The beginning of an Eisenstein film? Bunuel? Renoir?

Try 'Astro Boy,' (http://www.moviefone.com/movie/astro-boy/30167/main) the upcoming animated film featuring the voices of Nicolas Cage (http://www.moviefone.com/celebrity/nicolas-cage/1781425/main) and Kristen Bell (http://www.moviefone.com/celebrity/kristen-bell/2104593/main) about a boy robot (Freddie Highmore (http://www.moviefone.com/celebrity/freddie-highmore/2102515/main)) that leaves his scientist father after finding out he isn't human. Ostensibly a film for children -- with a fringe following of fanboys, thanks to its comic book series -- the movie features very adult ideas of ownership and class structure that will most likely be future fodder for college philosophy classes around the country.

While it's no secret that Hollywood films tend to skew left in general, 'Astro Boy' may be the first animated blockbuster to discuss, if not necessarily endorse, explicit Marxist ideologies (albeit in cute robot form, of course.) In the movie, the aforementioned outcasts, led by Robotsky, form the Robot Revolutionary Front, stenciling their logo on city walls and chanting "Viva La Robotolution" at anyone within earshot. On the whole, it's played for laughs, but makes us ponder the question:

Have animated films gotten more leftist in recent years?

Political leanings in modern animation are, of course, nothing new. Less than a decade after 1937's 'Snow White and the Seven Dwarfs,' (http://www.moviefone.com/movie/snow-white-and-the-seven-dwarfs/23278/main) America's first animated feature-length film, was released, scores of propaganda-filled cartoons from World War II could be seen on both sides of the front, with titles like 'The Ducktators,' (http://www.youtube.com/watch?v=UakpVtRHlNc) 'Education For Death' (http://www.youtube.com/watch?v=yRF_uaXTgMo) and 'Daffy the Commando.' (http://www.youtube.com/watch?v=7lNbXkSlZ4k)



The 1990s saw a slew of Disney-released, politically correct folk tales that branched out across cultures, featuring lead characters who were Native American ('Pocahontas' (http://www.moviefone.com/movie/pocahontas/1361/main)), Chinese ('Mulan' (http://www.moviefone.com/movie/mulan/2982/main)) and Arab ('Aladdin' (http://www.moviefone.com/movie/aladdin/7400/main)). As we noted last month, the studio's upcoming 'Princess and the Frog' (http://www.moviefone.com/movie/the-princess-and-the-frog/30244/main) has already generated more controversy than it wanted (http://insidemovies.moviefone.com/2009/09/24/princess-and-the-frog-controversy/) over its character portrayals and ethnicities.

Yet just over the past year, a number of animated films have moved the political line from subtle subplot to overt messages.

http://www.blogcdn.com/insidemovies.moviefone.com/media/2009/10/battle-for-terra-150x150.jpgEarly summer's 'Battle for Terra,' (http://www.moviefone.com/movie/battle-for-terra/36649/main) concerning a peace-loving, nature-worshipping alien race attacked by warmongering humans seeking more land, seemingly employs a ripped-from-the-headlines style of dialogue to enunciate its message. "We need information on the enemy's strengths and numbers. This machine might hold the answer," says one human interrogator to an alien as he prods a captured robot. "So ask him," replies the alien. "Don't torture him." Later on, military head General Hemmer (voiced by Brian Cox (http://www.moviefone.com/celebrity/brian-cox/1051621/main)) institutes a coup d'etat and proclaims, "Let future generations judge me," presciently predicting Karl Rove's assertion that "history is going to be kind to [George W. Bush]."

The upcoming animated adventure 'Planet 51' (http://www.moviefone.com/movie/planet-51/32791/main) -- about an American astronaut (Dwayne Johnson (http://www.moviefone.com/celebrity/the-rock/2030348/main)) who lands in a new world inhabited by small green creatures -- is decidedly less topical, yet still paints humans as the alien race.

The PG-13-rated '9,' (http://www.moviefone.com/movie/9/29483/main) Shane Acker's (http://www.moviefone.com/celebrity/shane-acker/2379101/main) full-length take on his Academy Award-nominated 2005 short film, opens in a world where a totalitarian regime uses an artificially created brain to manufacture tools of war that nearly end humanity. It's up to the "stitchpunks," a ragtag group of nine scientifically engineered creatures known only by their number, to use their collective power to rally against evil authoritarian forces.

http://www.blogcdn.com/insidemovies.moviefone.com/media/2009/10/wall-e-150x150.jpgAnd of course, there's the granddaddy of them all: 'WALL-E.' (http://www.moviefone.com/movie/wall-e/28116/main) The perceived philosophy of Andrew Stanton's (http://www.moviefone.com/celebrity/andrew-stanton/1430834/main) Academy-award winning feature, and one of last year's most critically acclaimed movies, was claimed by virtually every political and intellectual movement. Though Stanton adamantly disavowed any political message in the film, it's hard not to read at least a little into the movie's anti-consumerist, corporations-rule-the-world slant.

On the flipside stands Carl Fredricksen, the surly senior citizen hero of Pixar's summer smash 'Up' -- we can surmise he's a conservative when he admonishes a contractor on his lawn to "take a bath, hippie!" Of course, Fredricksen is voiced by Ed Asner (http://www.moviefone.com/celebrity/ed-asner/1774686/main), one of the entertainment industry's longest tenured liberal mouthpieces.

Just as the 1990s ushered in the era of political correctness in cartoons -- to the chagrin of some and admiration of others -- the line seems to have shifted once again from mere liberalism to more blatant socialist themes. We're curious to see what's in store for future animated tales.

So the question remains: Have animated films veered more left than their predecessors, or are we just reading too much into movies made for kids? Tell us what you think.

Bilan
12th October 2009, 12:52
Probably just reading too much into films.
Wall-E had some explicit themes - the anti-corporate and pro-environment themes were so evident that to miss it, you would quite literally have to turn it off - but it's questionable as to whether these are "socialist" themes. I think it's more fair to say they're sociological themes - which is quite normal in cinema, even in the trashiest of trash.
Wall-E was hardly "socialist". It's depictions of the earth were reminiscent of dystopian tales from past decades: in that area, it added nothing new. The backdrop was more of a 1984/Brave New World for kids, but the actual dialogue (Despite the lack of) was much sweeter, with hardly any political undertones.

The new one "Planet 51" doesn't sound hardly socialist at all, but instead, adds another dimension to science fiction films (Though, probably one that's been done before - I'm sure someone can fill us in on that) by giving the opposing perspective. It flips convential science fiction style (of alien invasion, that is) on its head by doing just that. That's not socialism, that's just perspective.

Anyhow, I reiterate my initial point that this seems to illustrate that animation films are merely using sociological themes as backdrops for their plots: whether of class, inequality, etc.
Hell, if one were to be so presumptuous about socialists sneaking into the film industry, the film "Robots" would send shockwaves down your spine: The evil capitalist who drives out the previous petit-bourgeois owner; who turns the company into an vile for-profit company (when it used to help robots - benevolent monopolies, hint, hint); where lower class robots are killed and turned into new parts.
It summarises the death of feudalism, and the rise of capitalism in about 2 hours, and all with Robyn Williams charming voice (aint life sweet?).

End.

Psy
12th October 2009, 18:15
Astroboy is a Japanese Anime and the movie is based on that and you can find more critical movies in Japanese media, a good example is that the the early Gundam series that was a sci-fi about the cold war but with the impeialist powers changed, were both imperialist powers were amoral in their wars, (bothing commiting horrible crimes against humanity against each other) the series also showed the winning imperialist powers exploiting the losing imperilaist power planting seeds for the next imperialist war. For example Mobile Suit Gundam 0080 where Zeon commandos try to steal a new Gundam from a colony that was suppose to be netural, it is later revealed Zeon plans to destory the whole colony in order to destory the protype Gundam and the last remaning Zeon soilder desides to sacrife himself to destory the Gundam not to complete his mission but save the colony, making the connection avious to the conlony and the clinet states in the cold war saying allowing the Federation (repersents the USA) into their colony almost doomed the colony (the point to make the Japanese audience question the presence of US bases in Japan).

Another example would be the 2001 movie Metropolis where you have a workers revolution in the movie the only problem being the movie doesn't really do much with it.

Dimentio
12th October 2009, 19:03
Animatrix also has similar themes. The Japanese are less sensitive about communist or critical themes than the Americans.

scarletghoul
12th October 2009, 19:06
Yes a lot of Japanese anime/manga is political and occasionally class-concious. Osamu Tezuka, creator of Astro Boy and Metropolis was really cool. Metropolis is a fucking great film, and Astro Boy was always political,, its cool

Holden Caulfield
13th October 2009, 01:02
creator of Astro Boy and Metropolis


I think Fritz Lang might have something to say about that one.
phillistine

http://upload.wikimedia.org/wikipedia/en/thumb/0/06/Metropolisposter.jpg/215px-Metropolisposter.jpg (http://en.wikipedia.org/wiki/File:Metropolisposter.jpg)

Anaximander
13th October 2009, 08:55
I was always disappointed with the way Fritz Lang ended Metropolis.. so much revolutionary potential, gone to waste in the name of liberal "co-existence" between the proletariat and the boss class.

So is Astro Boy fighting the Revolutionary Robots in this film?

edit: Metropolis is fantastic, regardless.